I may not have thought his music was the best, but I got enjoyment out of it, and I respected his talent, ingenuity and position in his field. It's sad he died at only 21- rest in peace, Gustav Ahr.
The Neighbourhood have been on fire recently, with two EPs of varying styles, and now a whole upcoming 18-track album. There may even be a "mixtape" EP after that, so that two year drought after Wiped Out! has definitely been filled. And now, this single, expressly for that album, also called The Neighbourhood... The start of the song has some atmospheric synths, and some typical NBHD lyrics. There's also decent electronic drums and later some good acoustic ones, too. More importantly, some winding bass and faraway but very thankfully still there guitars weave in and out of the background. The song isn't very fast or loud, but it shows great artistry sometime not entirely found in some of their previous quite and slow songs. The second verse picks up more steam, and even though the guitar is too low it works with the mix. Towards the end another guitar with a different riff comes in, fitting the song much better and having a thankfully higher volume. This song is...
Finally, The Neighbourhood is going somewhere. I Love You. was okay, but it wasn't fully developed and left room for improvement. Wiped Out! was extremely boring, except for RIP 2 My Youth, which was probably one of The Neighbourhood's best songs. And those mixtapes- unnapealing, and getting them nowhere. This new release is a mixtape I guess, but is intentionally called an EP which might signal some difference in its purpose. Anyway, lets get to the tracks themselves. Roll Call effectively uses bass and drums to set a background for moody synthesizer-filtered vocals and building instrumentals(been a long time since when have we seen any in a The Neighbourhood son g)., and breaks back down to them at the end, tying the song together. You Get Me So High uses the rapid fire drumming that propelled Sweater Weather to fame, with vocals that alternate between a husky whisper and the pleading almost whine classic to The Neighbourhood, the instrumentals are atmospheric guitars and...
It's finally here. After all the anticipation of four singles and a bunch of over the top late night TV performances, the new The Killers album has come out. So let's jump right in! Wonderful Wonderful, the title track and first track of the album, is a gigantic reverberating experimental piece that's okay, but I really don't see its point. I've listened to The Man tons of times before, and its masculine disco swagger never ceases to be the strutting pop rock arena-ready song that it is, a good song for the radio and perhaps even better in a gigantic stadium. This song is what helped revitalize The Killers after their not so good recent albums, and while not matching Mr. Brightside with everything from its opening words to its great breakdown for the bridge, it comes close. Rut is a quiet-ish modern take on classic crooning soft rock, which may be beautiful but would get boring after a couple listens. It may be meaningful but old soft rock doesn't need to be r...
Comments
Post a Comment